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	Comments on: Your feedback on Sarah&#8217;s Key	</title>
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	<description>An independent film society based in Chelmsford, Essex.</description>
	<lastBuildDate>Sat, 08 Jun 2013 10:49:19 +0000</lastBuildDate>
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		<title>
		By: Bob Foale		</title>
		<link>https://www.chelmsford-filmclub.co.uk/2013/06/08/your-feedback-on-sarahs-key/#comment-1039</link>

		<dc:creator><![CDATA[Bob Foale]]></dc:creator>
		<pubDate>Sat, 08 Jun 2013 10:49:19 +0000</pubDate>
		<guid isPermaLink="false">https://www.chelmsford-filmclub.co.uk/?p=637#comment-1039</guid>

					<description><![CDATA[‘Excellent’: 23 votes

=&gt; Excellent. A real eye opener.
=&gt; Very impressive
=&gt; Moving
=&gt; V. moving and disturbing / Thought provoking and makes one wonder how we would react
=&gt; A different take on the normal Holocaust stories (with Oswald Mosley’s Blackshirts, would we have acted differently, had the Germans invaded Britain?). Profoundly moving.
=&gt; And about rightly timed for those of us who saw something of all that war + were about that age. Many aspects weren’t quite understood – explained to some extent in this film.
=&gt; Liked the way the past &amp; present was linked. Great music &amp; it looked good.
=&gt; Very emotional but handled without verging into over sentimentality.
=&gt;. Great even second time around. Very affecting.
=&gt; Very absorbing.
=&gt; Very true to the book. Excellent viewing/powerful
=&gt; Sometimes the music made the dialogue difficult to hear.
=&gt; A thought-provoking tearjerker.
=&gt; Best kept ‘til last
=&gt; Holocaust meets Hollywood.

‘Very Good: 5 votes
=&gt; As good as mainstream cinema gets – so [?] so good!
=&gt; Very moving
=&gt; Just a very gripping story. Extremely moving

‘Poor’: 1 vote
=&gt; A film of two halves. 1st half, sensitively acted, harrowing &amp; heartbreaking but from the moment Michel was found it descended into Hollywood CHEESE of the highest order. Shame, as it could have been a great film. The polar opposite of In Darkness. Shame!]]></description>
			<content:encoded><![CDATA[<p>‘Excellent’: 23 votes</p>
<p>=> Excellent. A real eye opener.<br />
=> Very impressive<br />
=> Moving<br />
=> V. moving and disturbing / Thought provoking and makes one wonder how we would react<br />
=> A different take on the normal Holocaust stories (with Oswald Mosley’s Blackshirts, would we have acted differently, had the Germans invaded Britain?). Profoundly moving.<br />
=> And about rightly timed for those of us who saw something of all that war + were about that age. Many aspects weren’t quite understood – explained to some extent in this film.<br />
=> Liked the way the past &#038; present was linked. Great music &#038; it looked good.<br />
=> Very emotional but handled without verging into over sentimentality.<br />
=>. Great even second time around. Very affecting.<br />
=> Very absorbing.<br />
=> Very true to the book. Excellent viewing/powerful<br />
=> Sometimes the music made the dialogue difficult to hear.<br />
=> A thought-provoking tearjerker.<br />
=> Best kept ‘til last<br />
=> Holocaust meets Hollywood.</p>
<p>‘Very Good: 5 votes<br />
=> As good as mainstream cinema gets – so [?] so good!<br />
=> Very moving<br />
=> Just a very gripping story. Extremely moving</p>
<p>‘Poor’: 1 vote<br />
=> A film of two halves. 1st half, sensitively acted, harrowing &#038; heartbreaking but from the moment Michel was found it descended into Hollywood CHEESE of the highest order. Shame, as it could have been a great film. The polar opposite of In Darkness. Shame!</p>
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